I knew there was a reason I don’t really like these things:
One of the key themes emerging from the study, as well as from earlier research into reading behavior, is that people in general and students in particular read in a variety of ways. Sometimes they immerse themselves in a text, reading without interruption. Sometimes they skim a text to get a quick sense of the content or the argument. Sometimes they search a text for a particular piece of information or a particular topic. Sometimes they skip back and forth between two or more sections of a text, making comparisons. And sometimes they take notes, make marginal annotations, or highlight passages as they read. Reading is, moreover, a deeply personal, highly idiosyncratic activity, subject to all kinds of individual quirks. Every reader is unique.
Because we’ve come to take printed books for granted, we tend to overlook their enormous flexibility as reading instruments. It’s easy to flip through the pages of a physical book, forward and backward. It’s easy to jump quickly between widely separated sections, marking your place with your thumb or a stray bit of paper or even a hair plucked from your head (yes, I believe I’ve done that). You can write anywhere and in any form on any page of a book, using pen or pencil or highlighter or the tip of a burnt match (ditto). You can dog-ear pages or fold them in half or rip them out. You can keep many different books open simultaneously, dipping in and out of them to gather related information. And when you just want to read, the tranquility of a printed book provides a natural shield against distraction. Despite being low-tech – or maybe because of it – printed books and other paper documents support all sorts of reading techniques, they make it easy to shift seamlessly between those techniques, and they’re amenable to personal idiosyncrasies and eccentricities.
E-books are much more rigid. Refreshing discrete pages of text on a fixed screen is a far different, and far less flexible, process than flipping through pliant pages of fixed text. By necessity, a screen-based, software-powered reading device imposes navigational protocols and routines on the user, allowing certain patterns of use but preventing or hindering others. All sorts of modes of navigation and reading that are easy with printed books become more difficult with electronic books – and even a small degree of added difficulty will quickly frustrate a reader. Whereas a printed book adapts readily to whoever is holding it, an e-book requires the reader to adapt to it.
I can imagine that the e-book readers will end up being integrated as just another tool among the many others that students and others will end up using. Certainly when the number of books and papers you need to consult rises above one, an e-book reader becomes just another information provision artifact (and paper has worked well for rather a long time!).
The researchers provide an illuminating case study showing how important cognitive mapping can be:
[One student] used kinesthetic cues such as folded page corners and the tangible weight of the printed book to help him locate content quickly. He told us that “after I’ve spent some time with the physical book, I know … exactly how to open it to the right page. … I kind of visually can see where I am in the book.” His physical experience with the text changed dramatically when he began using his Kindle DX: He lost these kinesthetic cues and spent much more time hunting for information than he had previously done. He stopped using the Kindle DX for his assigned academic readings because he wanted to remain as productive and efficient as he was before he received his Kindle DX.
Actual empirical evidence on alternate pedagogical methods is important!
How does our memory work? What’s the difference between remembering how to ride a bike and recalling people’s names? Is it possible to improve your memory? An exhibition in the Science Gallery is looking for the answers, writes BRIAN O’CONNELL
REMEMBER A NAME but can’t match it with a face? Good with numbers but useless at childhood recollections? Led by Prof Shane O’Mara of Trinity College, Memory Lab is a month-long experience at Science Gallery in Trinity College, which invites the public to take part in a range of scientific experiments aimed at examining how our memory works.
In the new Hollywood thriller, ‘Limitless’, Bradley Cooper plays a failing writer who uses a top-secret ‘smart drug’ to unlock his brain’s potential. SYLVIA LEATHAM asks TCD neuroscientist Prof Shane O’Mara for a reality check on how the brain works.
DICK AHLSTROM, Science Editor
DO YOU forget names seconds after an introduction? If so, then come along to the Science Gallery where you can participate in experiments in an exhibition called Memory Lab.
More here: http://sciencegallery.com/events
I’m curating my first ever ‘lab in the gallery’ – details below. Dr Joanne Feeney, a postdoc in my group has been absolutely central to making this even happen, as has the great and creative team in the Science Gallery – Michael John, Rob, Maria, Lynn, Anja, Ian, Derek, Rosa (and John for superb computer programming).
So, think you have a good memory? Are you brave enough to put it to the test at Science Gallery’s MEMORY LAB this March?
FIRE, GOAT, PLUM, SUMP, VANE, HAIR, FARM... How come you can recall your first day at school vividly but won’t remember this list of words when you get to the bottom of this paragraph? Why are some of us memory champions while others have a heads like sieves? Is our ability to remember nature or nurture?
MEMORY LAB, a month-long LAB IN THE GALLERY experience at Science Gallery, Trinity College Dublin, invites the public to take part in a range of real, scientific experiments into how we remember or why we forget.
Eight separate experiments will investigate a range of aspects of functional memory from how good your short-term memory is to how and why we evolved memory in the first place. Be prepared for a barrage of information you will have to recall including numbers, letters, faces and even smells! We’re also inviting people to come and record their earliest ever memory as MEMORY LAB seeks to amass the largest database of earliest memories in the world.
The experimentation begins at Science Gallery on March 11th and continues until April 8th 2011. MEMORY LAB will also contain a rich events programme to allow you explore memory deeper – including a talk by former US Memory Champion and author of “Moonwalking with Einstein: The Art and Science of Remembering Everything” Joshua Foer. Events also include special recruitment event on how to make yourself memorable and Science Gallery’s first ever table quiz where you can put your ability to recall to the test.
MEMORY LAB opens to the public on March 11th and runs until April 8th. The experiments run Tuesday-Friday 12:00-20:00 and Saturday-Sunday 12:00-18:00. Admission free with a suggested donation of €5. You can be the first to experience MEMORY LAB by going to the exclusive preview party on March 10th. All Science Gallery MEMBERS+ go for free (sign up today here) or buy your tickets here.